Portfolio
Fractured (Unheard Symphony)
Ceramics & Hand-Stitched Paper and Ceramics and Glass, series, 2024
This project is a response to my conflicting feelings about the night—both my fear of it and my fascination with it. From childhood, I've harboured a fear of the dark, and even now, I struggle with the idea of surrendering to sleep and relinquishing control over my surroundings. To explore these emotions, I embarked on a series of overnight field recordings, each spanning six to seven hours of sleep. The experience of having a recorder on while I slept was unsettling; I hesitated to listen to the recordings, fearing what I might hear and how it might deepen my apprehension about sleep. However, upon playback, I was surprised by what I had slept through.
One excerpt, from the second night of recording, particularly captured my attention. I decided to incorporate it into a sculpture I was creating—a representation of a building. This choice was deliberate, as it reflects my fear of being surrounded by others while feeling distant from them. Simultaneously, it speaks to the universal experience of relinquishing control over our environment as we rest, unsure of what occurs around u
‘from my window I exist’
Ceramic & Paper and Ceramic & Glass, series of five, 2024
from my window I exist encapsulates the dichotomy of my sanctuary and my prison - a place of both solace, healing and limitation. The characters within represent the isolation, disappointment, intrusive thoughts, and fear of being forgotten that have coloured my life due to chronic illness.
The idea for this project arose during an artist residency in Nepal, where illness once again overshadowed my aspirations. Reflecting on the pervasive influence of my health struggles on my life, I realised the necessity of confronting my truth, even when it feels uncomfortable.
Though I've often kept my struggles hidden, fearing judgement and people’s perceived limitations on my capabilities, I've come to accept that my reality is just simply intertwined with illness. Despite the pain of isolation and missed opportunities, I find solace in the acceptance of my circumstances, recognising the privilege inherent in many other aspects of my life.
Through My Window I Exist is not just a testament to my journey, but a celebration of resilience. It is an acknowledgment of the complexities of living a life with chronic illness and the strength found in embracing and accepting one's reality, however challenging it may be.
Windows and Silence
2024, Photographs and Soundscapes, Series, Created in South Korea, Hong Kong and Malaysia.
Play the Graphic Notation here
(hover your mouse around the image to find the sounds inside. Play it and make your own composition!)
Windows and Silence Artist Statement
Outside Looking in
“Beauty is terror. Whatever we call beautiful we quiver before it” - Donna Tart, The Secret History
There is something enticing about the darkness, about being awake when others are sleeping. Surrounded by people, their illuminated windows a distant testament to life, and I stand on the threshold of existence, invisible to those within.
I exist within a paradox of loving and hating the darkness, for me it holds peace, a city sleeping, the distant hum of traffic, the song of the cicadas drifting in the breeze, the sound of the wind rustling the trees - it’s something that resembles silence, a silence that cannot truly exist. But although those sounds entice me, they draw me in, they also elicit a deep sense of fear within me. Is that the sound of someone breathing, are those footsteps coming towards me, am I truly alone or is somebody watching me?
I’ve always feared the dark, or more what lurks within it, but can you deeply fear and love something simultaneously? As a child it was the monsters under my bed I feared, the toys in the corner of my room morphing into faces staring at me as I tried to find a sleep that would never come. An insomniac. I fear sleep, I delay and evade it. I never know which version of myself tomorrow will bring. And moreover I fear the world that happens around me when I am forced to shut my eyes and relinquish my control over it.
Inside Looking Out
“The silence depressed me. It wasn't the silence of silence. It was my own silence. I knew perfectly well the cars were making noise, and the people in them and behind the lit windows of the buildings were making a noise, and the river was making a noise, but I couldn't hear a thing. The city hung in my window, flat as a poster, glittering and blinking, but it might just as well not have been there at all, for all the good it did me.” - Sylvia Plath, The Bell Jar
I’ve always felt perceived. Even in the privacy of my bedroom, is someone peering through the window at me. Is my voice catching the wind and trailing outside in the breeze to be overheard by those around me. Does true privacy exist? Watch what you say somebody might hear you, close the curtains tightly, if there is a gap somebody might see you. My greatest fear is to look outside and see a pair of eyes staring back at me.
The sonic environment of the night has always unsettled me, yet at the same time pulled me in. How can I sleep when I hear the distant footsteps, the creak of the gate swinging in the wind, or is it the wind? A tap at the window, a thump outside - I’ll never know what is reality or what is in my mind. Check the wardrobe, under the bed, in the darkest crevices. Check the doors are locked three times, and maybe tonight I’ll find rest.
Interactive Graphic Notation - Malaysia
Screen Recording, Example video of interactive digital artwork, 2024
I created this interactive graphic notation inspired by my explorations of both Rimbun Dahan and Kuala Lumpur. The shapes within the notation mirror the paths I walked, extracted from photographs captured during my explorations. Each hand-drawn line is infused with different musical instruments, carefully chosen to reflect the mood of the journey and field recordings taken during each walk are integrated into each photos.
My goal is to invite users to interact with this notation, offering them a glimpse into the emotions and sounds that characterised my experiences. Through this engagement, I hope they'll not only gain insight into my journey but also rediscover the often overlooked beauty of our surroundings amid the hustle and bustle of daily life.
To Play the Interactive Graphic Notation click here
Experimental Film, Soundscape: vocal improvisation, composition and field recordings, 2024
Reflection
During one of my explorations at Rimbun Dahan, I found myself captivated by the reflections dancing upon the water's surface, a scene both tranquil and mesmerising. While my artistic endeavours often lean towards darker themes, this experience of immersing myself in the serene ambiance, listening to the symphony of insects and birds, brought about a sense of peace within me. Inspired by this newfound tranquility, I set out to capture it in a film. Combining the field recordings from that moment with music and vocal improvisations, I embarked on creating an experimental film that echoes the serenity and harmony I experienced amidst nature's beauty.
Sonic Explorations in Seoul, Collage, field recordings, coded in P5.js, video demonstration, 2023
I created an interactive sonic collage by interweaving field recordings and photographs mostly captured during my explorations of Seoul. I coded a different sound into each image within the collage. When you hover your mouse over each picture a sound unveils. with the more images you cross, the more sounds you hear, which slowly build up to create an overwhelming wall of noise. If you click the screen it resets and you can begin again.
To play the sonic collage click here
Created as part of a group project at Sogang University in Seoul, video demonstration, 2023
This work was created using the software Max MSP. In this work we aimed to translate the RGB values from various posters into sound, and then mix these values with data from live webcam feed. The webcam data enabled the sounds to be manipulated similarly to a Theremin, where sound is controlled with movement.
The user is also able to chose a different instrument for each RGB value also changing the final sound output.
Extrospection, video, surround sound and ceramic cast body, 2020
‘Extrospection’ is about my experience of navigating the emotional response to reintegrating into society after a prolonged period of isolation. Through immersive soundscapes and film, I aim to take the viewer on an emotional journey to explore the conflict between the desire to reconnect in society but the anxiety this can trigger for someone who experiences social anxiety. ‘Extrospection’ was originally presented as an immersive experience with surround sound and three screens with separate projections.
Footage from ‘Extrospection’ presented in a gallery setting:
‘Introspection' is an audio-visual artwork exploring the mental and emotional change that can occur during times of isolation. This film uses evocative sound and imagery to elicit in the viewer the feelings of emotional change experienced by the artist during the Covid-19 pandemic. With the recurring symbol of the artist’s dissolving face this work then explores the cyclic nature of change.
‘Introspection,’ video, sound composition, cast ceramic face, 2020
Photography
Ceramics
Accent (exhibition), 2021, curated by Lucy Zola and Pia Gynell-Jorgensen.