Windows and Silence

2024, Photography, ceramic sculpture, glass, hand-stitched paper, video installation and sound composition

Windows and Silence is an exhibition that delves into the multifaceted tensions and dichotomies within my life. It explores my fear and fascination with the dark, the experience of being surrounded by people yet feeling profoundly alone, the paradoxical pain and pleasure found in solitude, and the dual nature of home as both a prison and a sanctuary.

Unheard Symphony

2024, Ceramic Sculpture, Hand-stitched Paper, Sound Composition

“Beauty is terror. Whatever we call beautiful we quiver before it” - Donna Tart, The Secret History

There is something enticing about the darkness, about being awake when others are sleeping. Surrounded by people, their illuminated windows a distant testament to life, and I stand on the threshold of existence, invisible to those within.

I exist within a paradox of loving and hating the darkness, for me it holds peace, a city sleeping, the distant hum of traffic, the song of the cicadas drifting in the breeze, the sound of the wind rustling the trees - it’s something that resembles silence, a silence that cannot truly exist. But although those sounds entice me, they draw me in, they also elicit a deep sense of fear within me. Is that the sound of someone breathing, are those footsteps coming towards me, am I truly alone or is somebody watching me? I’ve always feared the dark, or more what lurks within it, but can you deeply fear and love something simultaneously? As a child it was the monsters under my bed I feared, the toys in the corner of my room morphing into faces staring at me as I tried to find a sleep that would never come. An insomniac. I fear sleep, I delay and evade it. I never know which version of myself tomorrow will bring. And moreover I fear the world that happens around me when I am forced to shut my eyes and relinquish my control over it.

Unheard Symphony combines a ceramic sculpture with stitched paper characters alongside a sound composition. The composition was created from a series of overnight field recordings, each spanning six to seven hours of sleep. Initially, the act of recording while asleep unsettled me deeply; I hesitated to listen to the recordings, fearing what revelations might deepen my anxieties about the night. Yet, the experience of eventually listening back to what I had missed was both eerie and strangely captivating. The sculpture and its accompanying sound piece capture my dual feelings of isolation amidst others. They reflect my profound unease with being surrounded yet feeling distanced from those around me. Furthermore, these artworks resonate with the universal human experience of relinquishing control over our environment as we rest, unsure of what silently unfolds in the darkness.

Through My Window I Exist

2024, Ceramic Sculpture, Hand-stitched Paper

Through My Window I Exist encapsulates the dichotomy of my sanctuary and my prison - a place of both solace, healing and limitation. The characters within represent the isolation, disappointment, intrusive thoughts, and fear of being forgotten that have coloured my life due to chronic illness.

The idea for this project arose during an artist residency in Nepal, where illness once again overshadowed my aspirations. Reflecting on the pervasive influence of my health struggles on my life, I realised the necessity of confronting my truth, even when it feels uncomfortable.

Though I've often kept my struggles hidden, fearing judgement and people’s perceived limitations on my capabilities, I've come to accept that my reality is just simply intertwined with illness. Despite the pain of isolation and missed opportunities, I find solace in the acceptance of my circumstances, recognising the privilege inherent in many other aspects of my life.

Through My Window I Exist is not just a testament to my journey, but a celebration of resilience. It is an acknowledgment of the complexities of living a life with chronic illness and the strength found in embracing and accepting one's reality, however challenging it may be.

Interactive Graphic Notation

2024, Photo collage, Coded musical instruments and field recordings

Graphic notation (or graphic score) is the representation of music through the use of visual symbols outside the realm of traditional music notation

Inspired by walks I took within Hong Kong, I created an interactive graphic notation. The shapes within this notation mirror the paths I walked, derived from photographs captured during my journeys. Each hand-drawn line incorporates different musical instruments selected to evoke the mood of each journey, with field recordings from these walks integrated into the photos.

Through exploring Hong Kong, I was captivated by the diversity of landscapes and soundscapes—from the vibrant hustle and bustle of urban areas and the pockets and moments of tranquility found with this intensity. I also enjoyed my visits outside the city and to various festivals, moments of which I also included in the notation.

Through this project, my aim is to invite users to engage with the notation, offering them a sensory glimpse into the emotions and sounds that defined my explorations.